•  
  •  
 

Abstract

I introduce the basic principles for the practice of proprioceptive writing and describe the experience and outcomes of incorporating this ungraded writing into three undergraduate compostion classes. I offer this as a case study of a writer, teacher, and reflective practitioner emboldened by Peter Elbow's believing game, and I point out some of the intellectual and pedagogical discoveries that emerged in my fourteen-week experiment.

Share

COinS