Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

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Table of Contents

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The Marriage of Note and Word in Two Songs by the Gershwins
Allen Forte

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Schenker’s First “Americanization”: George Wedge, the Institute of Musical Art, and the “Appreciation Racket”
David Carson Berry

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Redating Schoenberg’s Announcement of the Twelve-Tone Method: A Study of Recollections
Fusako Hamao

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Fauré, through Boulanger, to Copland: The Nature of Influence
Edward R. Phillips

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Webern’s “Heavenly Journey” and Schoenberg’s Vagrant Chords
Matthew Shaftel

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Progressive Trends in Variation Form: Robert Schumann’s Piano Sonata in F Minor, Op. 14, Quasi Variazioni
Hiu-Wah Au

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A Study of Donald Grantham’s Fantasy Variations: Broad Musical Connections in Core Theory Classes
Amy Carr-Richardson

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Classical Models, Sonata Theory, and the First Movement of Liszt’s Faust Symphony
Howard Cinnamon

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Multiply Directed Moments in a Brahms Song: “Schön war, das ich dir weihte” (Op. 95, No. 7)
Melissa Hoag

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Review of Understanding Post-Tonal Music and Anthology of Post-Tonal Music, by Miguel A. Roig-Francolí
Andrew Mead

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Review of Foundations of Diatonic Theory, by Timothy A. Johnson
Matthew Santa