Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

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Home > Gamut > Vol. 4 (2011) > Iss. 1

Front Matter

Table of Contents

Articles

Progressive Trends in Variation Form: Robert Schumann’s Piano Sonata in F Minor, Op. 14, Quasi Variazioni
Hiu-Wah Au

A Study of Donald Grantham’s Fantasy Variations: Broad Musical Connections in Core Theory Classes
Amy Carr-Richardson

Classical Models, Sonata Theory, and the First Movement of Liszt’s Faust Symphony
Howard Cinnamon

Multiply Directed Moments in a Brahms Song: “Schön war, das ich dir weihte” (Op. 95, No. 7)
Melissa Hoag

A Music-Theoretical Matrix: Essays in Honor of Allen Forte (Part III), edited by David Carson Berry

The Marriage of Note and Word in Two Songs by the Gershwins
Allen Forte

Schenker’s First “Americanization”: George Wedge, the Institute of Musical Art, and the “Appreciation Racket”
David Carson Berry

Redating Schoenberg’s Announcement of the Twelve-Tone Method: A Study of Recollections
Fusako Hamao

Fauré, through Boulanger, to Copland: The Nature of Influence
Edward R. Phillips

Webern’s “Heavenly Journey” and Schoenberg’s Vagrant Chords
Matthew Shaftel

Reviews

Review of Understanding Post-Tonal Music and Anthology of Post-Tonal Music, by Miguel A. Roig-Francolí
Andrew Mead

Review of Foundations of Diatonic Theory, by Timothy A. Johnson
Matthew Santa

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