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Wandering into the Dusky Plains for Winds, Percussion, and String Quartet

Date Issued
August 1, 2007
Author(s)
Hendricks, Jess
Advisor(s)
Kenneth A. Jacobs
Additional Advisor(s)
Phillip Ewell
Don Pederson
Link to full text
http://etd.utk.edu/2007/HendricksJess.pdf
Permanent URI
https://trace.tennessee.edu/handle/20.500.14382/35703
Abstract

Wandering Into the Dusky Plains is a work composed for winds, percussion, and a string quartet in seven movements. It was written to fulfill a portion of the requirements to receive a Master' degree in Music composition from the University of Tennessee in Knoxville. The composition of the work was completed in December of 2006. All of the orchestration was done during the process of composition and edited later by the composer using Finale 2007. The MIDI realizaton of the score was completed using Logic Express 7.2, Garritan Personal orchestra sound software library, and Virtual drumline sound software library.


This paper will present an analysis of this work and compare it to several pieces of music in recent history that provided some influence on the construction of this piece. The form of the piece, along with melody, harmony, rhythm, and texture will be examined and compared to the following works: Bela Bartok's Concerto for Orchestra and Bagatelle Op. 6, No. 2, Claude Debussy's Nocturnes: No. 1, Nuages (Clouds), Gunther Schuller's Seven Studies on Themes of Paul Klee, Paul Hindemith's Mathis Der Maler, Maurice Ravel's Bolero, Serge Prokofiev's Symphony No. 5La Creation du Monde.

Disciplines
Composition
Music
Degree
Master of Music
Major
Music
Embargo Date
December 1, 2011
File(s)
Thumbnail Image
Name

HendricksJess.pdf

Size

3.82 MB

Format

Adobe PDF

Checksum (MD5)

7c5a09733e97fe4db2d318a5dbe41529


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