A critical edition of Thomas D'Urfey's The famous history of the rise and fall of Manssaniello

A lengthy introduction in six parts precedes this edition of Massaniello. Section I is an evaluation of D'Urfey's entire dramatic achievement for the purpose of reassessing the condemnatory judgments of earlier critics about this most prolific and representative Restoration playwright. The plays are discussed in terms of their predominant elements and of D'Urfey's intentions as a dramatist. Section II contains a plot summary and a study of the chief source for Massaniello, as well as an overview of other chronicles and histories that are crucial to an understanding of the Neapolitan revolution. Also examined are D'Urfey's purposeful tamperings with historical truth. Section III is a discussion of the play's stage history (both the original production and revivals), in addition to its use of sensationalism and spectacular embellishments. Section IV relates Massaniello's historical and thematic significance for the late 1690's, the political conditions that made such a play appropriate, and the relationship of the Neapolitan uprising to other revolutions that took place at mid-century in England and on the Continent. This part concludes with a discussion of the play's unique features that increase its ideological forcefulness: D'Urfey's innovative treatment of the commonplace rabble scene and his extended portrait of a plebeian leader's exercise of absolute power. Section V, a literary analysis of Massaniello, examines the play's strengths and weaknesses, as well as the elaborate series of parallels and contrasts that clarify D'Urfey's didactic intent. Section VI is a description of the editorial process adopted for this play and an explanation of silent and recorded changes made in the text. Explanatory notes for Parts I and II of Massaniello follow the actual text of the play.