Eruptive Baroque Hysteria in English Neoclassical Literature

"Eruptive Baroque Hysteria in English Neoclassical Literature" explores the persistence and intrusion of early-seventeenth-century baroque aesthetics in otherwise bourgeois, neoclassical works of the English Restoration. These "baroque eruptive" moments, I argue, can be read as particular instances that articulate historically-specific anxieties felt by aristocrats, including the restructuring of the family unit and the dual appeal and abhorrence of continental Catholicism. The introduction discusses the poetry of John Wilmot, earl of Rochester; chapter 1 discusses William Wycherley's The Country Wife; chapter 2 discusses Thomas Otway's Venice Preserv'd; and the conclusion chapter probes into several early eighteenth-century works.