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Bluegrass: a Voicing

Date Issued
August 1, 2023
Author(s)
Botts, Cade
Advisor(s)
Nathen E. Fleshner
Additional Advisor(s)
Nathan E. Fleshner
Barbara A. Murphy
Robert J. Sivy
Permanent URI
https://trace.tennessee.edu/handle/20.500.14382/46650
Abstract

In 2010, Fred Bartenstein’s detailed the voice stackings found in bluegrass in his article “Bluegrass Voicings.” [1]This paper will go beyond this discussion of the arrangement of voices to an examination of the harmonic voicing styles found in bluegrass music. Stamps-Braxter’s 1937 arrangement of “Farther Along”[2] and transcriptions of recordings by bluegrass legends Bill Monroe, Stanley Brothers, Reno & Smiley, the Osborne Brothers, Dolly Parton, and the Grascals will be used as a case study to look at multiple chord voicings. Based on the analyses of these transcriptions, a list of “voice leading conventions” for bluegrass compositions will be presented.


[1] Fred Bartenstein, “Bluegrass Vocals” Fred Bartenstein: Bartenstein & Bluegrass, 2010, http://fredbartenstein.com/bgvocals.html.

[2] “Farther along by Bill Monroe and His Blue Grass Boys,” Second Hand Songs - A Cover Songs Database, accessed March 4, 2023, https://secondhandsongs.com/performance/365513/versions.

Subjects

Bluegrass

music theory

voicing

arranging

Bill Monroe

Appalachia

Disciplines
Composition
Music Theory
Degree
Master of Music
Major
Music
File(s)
Thumbnail Image
Name

Bluegrass_a_Voicing_.docx

Size

5.18 MB

Format

Microsoft Word XML

Checksum (MD5)

c47cec81112065e64b230694a4721552

Thumbnail Image
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auto_convert.pdf

Size

3 MB

Format

Adobe PDF

Checksum (MD5)

599d7b36ea0b56105c81fe74bf847665

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