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  5. The "Vast and Terrible" Trauma: American Literary Naturalism, Ethics, and Levinas
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The "Vast and Terrible" Trauma: American Literary Naturalism, Ethics, and Levinas

Date Issued
May 1, 2014
Author(s)
Efird, Tyler Joseph  
Advisor(s)
Allen R. Dunn
Additional Advisor(s)
Mary E. Papke
William Hardwig
Harry F. Dahms
Permanent URI
https://trace.tennessee.edu/handle/20.500.14382/23735
Abstract

In an 1896 essay, Frank Norris wrote that the reading world should abandon those “teacup tragedies” to which it had grown accustomed and embrace a new literature that would depict a “vast and terrible drama.” Realism, Norris claimed, could not be used to achieve an earnest portrait of the conditions that mark individual lives under capitalism. Instead, the world needed a romantic wrestling with the forces of existential inscrutability. Also, the perceived need for literature to depict a clear ethical system needed revising from the perspective of American literary naturalism, a school long denigrated for apparent moral vacuity. Through excruciating “drama,” naturalism therefore confronted the economic conditions that subject individual lives to the whims of a world wherein moral values seemed either the business of religious groups or of rationalist Enlightenment thinkers. The writings of Norris and Stephen Crane, as well as later naturalists like John Dos Passos and Nathanael West, refuse moral systematization and depict human beings in extraordinary predicaments that question reductive evaluations of human relationships. These traumatic encounters offered by naturalist fiction provide a route for us to think about the works of the French ethicist, Emmanuel Levinas. In Levinas, we find the ethical encounter traumatic, gut-wrenching, and overwhelming. No course of action is provided because every person demands of us a unique response that cannot be met. Levinas offers a means for us to expand our understanding of literary naturalism and think of its relevance in our own day, wherein value relativism makes moral response increasingly difficult. Such an approach allows us to find the similarities between such disparate authors as Norris and Crane, Dos Passos and West, all of whom find the ethical relationship troubling and painful. In naturalism's scenes of trauma, inarticulacy, and paralysis, we find the origins of a radical ethical alternative, one that does not deny ethical possibility in its refusal to systematize, but, rather, finds it in the the breakdown of language and cognition – in other words, the complete dissembling of the self and the familiar structures that tend to give it precedent in the ethical relationship.

Subjects

American literary nat...

ethics

Norris

Crane

Dos Passos

Nathanael West

Disciplines
American Literature
American Material Culture
American Popular Culture
Continental Philosophy
Ethics and Political Philosophy
Literature in English, North America
Degree
Doctor of Philosophy
Major
English
Embargo Date
January 1, 2011
File(s)
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dissertation.doc

Size

1008 KB

Format

Microsoft Word

Checksum (MD5)

2f208baf590909af36f21c05d77cf46d

Thumbnail Image
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dissertation.pdf

Size

803.96 KB

Format

Adobe PDF

Checksum (MD5)

823fafd217e9a1a55710fc7471b8b460

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