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Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

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ISSN: 1938-6690

 
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Home > Gamut > Vol. 3 (2010) > Iss. 1

 

Front Matter

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Table of Contents

Articles

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What’s in a Theme? On the Nature of Variation
Roman Ivanovitch

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Beats that Commute: Algebraic and Kinesthetic Models for Math-Rock Grooves
Brad Osborn

A Music-Theoretical Matrix: Essays in Honor of Allen Forte (Part II), edited by David Carson Berry

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Compound Melody and Jazz Improvisations: A Reconsideration
John D. Check

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How to Build a Development Section: A Schenkerian Perspective
Timothy Cutler

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Schenker, Schubert, and the Subtonic Chord
David Damschroder

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The Unfolding Tale of Griffes’s “White Peacock”
Taylor A. Greer

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A Russian Rhetoric of Form in the Music of Witold Lutosławski
Douglas Rust

Reviews

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Tosca’s Prism: Three Moments in Western Cultural History
Juan Chattah

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Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata
Mark Richards

 
 
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Copyright © 2010, Newfound Press. Copying of any part of Gamut, without alteration of the text, is permitted for noncommercial use only. Any reproduction—whether partial or complete—must include an appropriate citation.