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Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

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ISSN: 1938-6690

 
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Home > Gamut > Vol. 2 (2009) > Iss. 1

 

Article

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Transformation in Rock Harmony: An Explanatory Strategy
Christopher Doll

Forum: "Ethnic Diversity in Music Theory: Voices from the Field"

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Inconvenient Truths, and Changes to Believe In: Foreword to the Forum
Jeannie Ma. Guerrero

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Diversity, Music, Theory, and the Neoliberal Academy
Sumanth Gopinath

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Diversifying Music Theory
Youyoung Kang

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In and Around Music Theory and the Academy: A Perspective
Horace J. Maxile, Jr.

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On Diversity
Amy Cimini and Jairo Moreno

A Music-Theoretical Matrix: Essays in Honor of Allen Forte (Part I), edited by David Carson Berry

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The Twin Legacies of a Scholar-Teacher: The Publications and Dissertation Advisees of Allen Forte
David Carson Berry

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The Musical Idea and the Basic Image in an Atonal Song and Recitation of Arnold Schoenberg
Jack Boss

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The Expressive Role of Rhythm and Meter in Schumann’s Late Lieder
Harald Krebs

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Drei Nebensonnen: Forte’s Linear-Motivic Analysis, Korngold’s Die Tote Stadt, and Schubert’s Winterreise as Visions of Closure
Edward D. Latham

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Strategic Intertextuality in Three of John Lennon’s Late Beatles Songs
Mark Spicer

Reviews

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The Musician’s Guide to Aural Skills, by Joel Phillips, Jane Piper Clendinning, and Elizabeth West Marvin. New York: W. W. Norton, 2005.
Brent Auerbach

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Manual for Ear Training and Sight Singing, by Gary S. Karpinski. New York: W. W. Norton, 2007. (And other texts by Gary S. Karpinski.)
Marva Duerksen

 
 
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