The purpose of this essay has been to come to a better understanding of Bergson’s concept of the virtual, particularly as it is developed and understood by Deleuze, to argue that a precedent exists for the virtual as a valid analytic category, and to suggest a possible avenue of further research.
"On Bergson’s Concept of the Virtual,"
Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic:
1, Article 2.
Available at: http://trace.tennessee.edu/gamut/vol1/iss1/2